The TKC Philosophy is something that I live by and cherish. It is something that I learned through trial and error. The TKC Philosophy is not just a set of guidelines and rules, but it is something that continues to grow in the heart.
For years, I have always thought the martial arts was just the punch and the kick and my only focus was perfecting my outward, physical being. But it's not that at all, its more than just the external, the martial arts is also the internal. Your breathing, your internal strength, your "ki" are imbedded within the art. I was missing the whole meaning of the martial arts and what I could learn from it.
For me, the TKC philosophy is more than just a school of four walls filled with students, it is a place in which all students can practice the martial arts and learn valuable lessons for everyday life.
Our philosophy is more than just training people how to fight or protect themselves, but it is about instilling a better attitude toward the school, toward the instructors, toward each other and toward life.
The TKC Philosophy focuses on helping individuals become leaders.
The TKC Philosophy focuses on a team effort.
The TKC Philosophy is believing in yourself. It's learning how to overcome failure and succeed.
The TKC Philosophy provides us with a set of values to follow and goals to set.
It isn't just about being a better martial artist, but a better, wiser and stronger individual. I truly believe that each of our students grow to love the school for the values they learn and keep throughout their life.
The TKC Philosophy isn't just a method for learning martial arts, it's a way of life that each of us can live by.
"Very rarely in our life we take the time to get to know a
person behind a role.
We make judgments.
We pick our likes and dislikes.
but only after we see the human behind the
role that we realize that we are all the same.
No need to judge.
Loving unconditionally.
Now that is what it's all about"


Fariborz Azhakh
Fariborz Azhakh was born in Iran and lived there for much of his childhood. He wasn't very involved in sports or any other type of recreation, but the one thing he did love was going to the movies every week. He looked forward to his older brother coming by to pick him up and take him to the local theatre. One of the first martial arts movies he ever saw was in the early 70's called The Five Fingers of Death. This is the same film that launched the big boom of martial arts movies all over the world and made kung fu and karate household terms.
Though Fariborz loved the kung fu movies, there was only one star who left an impression on his life - Bruce Lee.
When Bruce Lee appeared in a series of movies (The Fists of Fury and The Chinese Connection), Fariborz became hooked on the martial arts. At seven years old he told his brother he wanted to be like Bruce Lee. Though Fariborz never had any formal training in Iran, he would often pretend he was fighting by himself and
imitate the moves he saw in the movies which caused him to like the martial arts even more. He did take a few lessons from a local karate school but he wasn't focused at the time and was more interested in Bruce Lee's moves than what he was learning.
At the age of fifteen Fariborz arrived in America. His older brother had moved to the United States before him and made arrangements for him to stay with an
American family in Santa Maria, California. Since Fariborz didn't know a word of English his brother felt the best way to learn was by living with an American family. Fariborz recalls that this was one of the most frustrating experiences in his life. There were very few Iranians in the area and no one had even heard of Iran at the time so he felt hopelessly lost. He recalls that in his first day attending public school it was Halloween and he was shocked when everyone was
dressed in strange costumes.
Everyday after school Fariborz watched a lot of television so he could practice listening to English. His favorite program was the Tom & Jerry cartoon because the characters spoke slowly with short sentences, which made them easier to understand.
When Fariborz graduated high school he moved to Torrance, California and enrolled at UCLA to study computer science. He then moved again to a small apartment in Canoga Park. To support himself he worked as a waiter at an upscale restaurant called The Magic Pan. It was at this time that Fariborz began to take the first steps in making his childhood dream come true by searching for a place to study martial arts. Cirus, a friend of his who lived in the area, was taking martial arts lessons from a Hapkido studio in Canoga Park and invited him to come and watch.
The school was called J.B. Lee's Hapkido Karate and the instructor was Steve Sexton. Fariborz loved what he saw and immediately signed up for lessons. At that time he wasn't aware of other styles so it didn't matter if the art was karate or kung fu, he just wanted to have some type of formal training and wanted to train with his friend.
From then on, Fariborz admits that he became a martial arts "junkie," spending every available hour at the school. Eventually, Sexton began allowing him to assist in training the beginners which later led to warming up all of the other classes. After two years of training nearly every day Fariborz reached the red belt level. It was at this time that Steve Sexton's partner, who owned one-third of the studio, felt it was best to close down the school. Fariborz didn't want
that to happen so he made a proposal to purchase the school from both of them.
Though waiting tables didn't pay very much, Fariborz did raise enough money to purchase a new car, which he offered to them as payment. Sexton's partner eagerly accepted it as his one-third payment for the school. Sexton made an arrangement with Fariborz to pay the rest in installments over the next few
years.
Although still a red belt, Fariborz took over the studio. Sadly, his peers
didn't want to be taught by a red belt and immediately quit. In fact, all of the students he "inherited" from Sexton left and he was forced to start from scratch.
Running the school on his own and keeping it afloat was a task that was nearly impossible to bear. Fariborz recalls that his schedule was extremely tight because was working all day as a waiter (now at a restaurant called Chadwicks in Northridge) and didn't get off until 4:30 PM. Classes at his school started at 5:00 PM. Money became so tight that Fariborz was forced to live in the school for six months until he could again afford an apartment.
Fariborz continued learning from Sexton privately and in June 1982 he earned his first degree Black Belt. Until this time, considering teaching martial arts as a complete profession was not Fariborz's objective, but upon receipt of his Black Belt, he realized that teaching is what he wanted to do for the rest of his life. Sharing the art he loved so much gave him the rewards that would reshape his life.
Fariborz points out that one of his greatest treasures is working with young children. Practicing the art is something he loves and sharing the art with young minds is even better.
The original school, which was owned and operated by Sexton and his partner, was located on Vanowen Street in Canoga Park. When Fariborz became the owner he changed the school's name to Fariborz Azhakh's Martial Arts Academy Hapkido Karate. Unfortunately, admits Fariborz, he didn't really know what he was doing and ran the school the only way he knew — as he was taught. He wasn't aware that there were different methods of teaching available, which he could use to attract and retain more students.
Fariborz Azhakh taught in the same location for roughly four years paying the landlord on a month-to-month basis rather than being tied to a long-term lease. Then, the owner of the building received an offer for the property and sold it. The new owner decided the rent was too low for the area and raised the rent on all his tenants over three times the amount they were currently paying. For Fariborz, the new rent was too high for him to afford so he decided to look for a new location for the school. Unfortunately, he panicked and immediately moved to another small school and signed a ten-year lease because he didn't want this incident to happen to him again.
The new studio was a small storefront on Sherman Way in a very bad location.
Fariborz didn't have any guidance on these matters and jumped at the first thing he saw. After a year in this location, Salvador and his wife Anna, two of his students, advised him to look around and find a better location and a studio that would have the physical capability of expanding.
Fariborz found a school on Victory Blvd., which is where Team Karate Centers is currently located (but it was much smaller then) and left the Sherman Way facility with the generosity of Salvador and Anna who let him borrow money for the first, last and security deposit. Fariborz looks back and remarks how appreciative he was for them to help him like that. Although unsure of why they did it, he speculates that they probably saw the passion he had for teaching and
decided to take a chance on him. It was exactly what he needed.
Although Fariborz now had a new school in a much better place, his teaching methods had not changed; He was still stuck in the old ways. He didn't know what it was to be a teacher and was just telling his students what to do instead of being a service to them. Having had no formal training in being a teacher, he just mimicked what he had experienced.
Fariborz points out that Sexton gave him the wings to fly in learning the physical part of the art and still considers him as one of the best teachers he ever had, however, he needed to find a way to educate himself into providing a better service to his students by helping them understand what they are learning and the philosophy behind each movement.
Sexton had already stopped training Fariborz after he received his second degree Black Belt, so it was up to Fariborz to look elsewhere for some type of guidance. It was during this time that he fell into the tournament scene purely by accident. It was around 1985 when a film called "The Karate Kid" was released and the producers of the film were holding tournaments all across the country to promote the film. Fariborz saw a flyer for one of the tournaments and decided to
see what tournaments were all about. He was amazed at all the different styles that were out there and reveals that it really opened his eyes.
He began entering the forms and open divisions and felt that this was the best thing to help him advance his training. He also met some really great people that made a profound difference in his personal training: Notably Stuart Quan, Simon Rhee and Ho Sik Pak. It was just by watching these people that took martial arts to the next level for him. It was also then he met Michael Matsuda, publisher of Martial Art Magazine at the time, who later put him on his first magazine cover.
Since Hapkido didn't have any forms as part of its tradition, Fariborz created his own and used them in his performances. Fariborz competed mainly in the California area and would occasionally travel across the country to enter a big tournament. It was then that Joe Jennings, a martial arts video producer from Panther Productions, spotted him and Fariborz signed a deal with Jennings to produce a whole series of videos on Hapkido. He was the first Hapkido instructor to provide Hapkido instructional video tapes which are still available today.
Although Fariborz consistently placed in the Top Ten Regional Rankings by Martial Art Magazine, he grew tired of just competing and started organizing his own tournaments the "Southern California Championships." After hosting a total of eight tournaments, Fariborz reflects that the whole tournament scene, both competing and sponsoring tournaments, was not overall a good experience for him. There are a lot of people who sponsor tournaments and are still good at it, but Fariborz points out he would definitely not do it again.
The Hapkido school was continuing to grow but at a very slow rate. He realized he needed help and reflects that the biggest change, and perhaps one of the most pivotal turning points in his career, was when he attended a martial arts business seminar in Sarasota, Florida. Jhoon Rhee was conducting a series of seminars on "professionally running your school" and it was those seminars that really changed the way Fariborz looked at teaching and running his school. It
opened his eyes to what it was to be in the business of the martial arts.
Fariborz wanted to learn more about these new teaching methods and started getting involved with several big consulting companies which included the EFC (Educational Funding Company) and NAPMA (National Association of Professional Martial Artists).
The seminars and associations made a dramatic impact on running the school.
Fariborz became more involved in educating his students rather than just telling them what to do. He included a variety of teaching methods that made learning fun and interesting. The school no longer just focused on learning the punch and the kick, but integrated the development of the mind as well as the body. He incorporated essays and writing assignments so that students would understand what they learned and added gymnastics and tumbling activities that would help the students achieve better motor skills.
He believes that it was this whole new philosophy of learning that made the school flourish and become successful. The school began to grow by leaps and bounds and soon he needed to expand. Thanks to the wise advice from Salvador and Anna, he was able to expand in his current location. Today, the school takes up nearly half the building.
To advance beyond his second degree Black Belt, Fariborz found Hapkido Grandmaster Ji Han Jae, the highest ranking master in America, in the San Francisco area. He began training with Grandmaster Ji Han Jae off and on for several years.
Fariborz admits that meeting him was quite unusual. In their first meeting Grandmaster Ji Han Jae had no objection of training him, however, one of his prerequisites was that Fariborz wasn't allowed to fly to San Francisco — he had to drive. Fariborz thought his suggestion was ridiculous but in order to train with him, he complied.
His first lesson was a rude awakening. He recalls that he was practicing a series of kicks Grandmaster Ji Han Jae said to him, "Your toes are up. You should keep your toes down." Fariborz responded back: "I know," (a response that was more like a comment rather than an agreement). At that moment Grandmaster bowed out and said, "Great, you don't need me anymore; The lesson is over."
They were only ten minutes into the lesson for which Fariborz had paid a two hour fee and Grandmaster just left him there. Fariborz was just furious. He changed clothes angrily and left the studio and drove eight hours back to Los Angeles. It was then he understood why Grandmaster wanted to him drive instead of fly. He had eight hours to think about the lesson and what he did. To this day Fariborz won't say "I know" anymore and doesn't appreciate people saying that to him either.
Fariborz soon returned to Grandmaster with a more humble attitude. His lessons continued with Grandmaster Ji Han Jae for several years. The Grandmaster focused on teaching Fariborz more about the philosophy and history of the art rather than just the physical aspect. He spent a total of ten years periodically driving back and forth learning from him. He earned four more degrees under Grandmaster and now holds a sixth degree Black Belt in Hapkido.
Training with Grandmaster gave Fariborz more respect for the art and taught him to look beyond the tangible. Today, Fariborz requires that all Black Belt candidates learn about other styles, gain a deeper respect for nature and focus on being a better individual through the martial arts.
Team Karate Centers continues to flourish and consistently runs five instructional areas with nearly 400 students and is considered one of the most successful martial arts schools in the nation.
Over the past twenty years, Team Karate Centers has gone through a variety of drastic changes and positive evolutions. The philosophy and concept of the school has transformed from the primary focus on a single individual into a team effort of an entire staff. The school relocated from the Vanowen Street facility to a storefront on Sherman Way to a small warehouse on Victory Blvd. The number of students has continued to grow and the school itself has physically expanded.
The school first begin around 1971 on Vanowen Street as J.B. Lee's Hapkido Karate under the direction of Steve Sexton. It wasn't a large school but it did have a good following of dedicated students. The primary style was the Korean art of Hapkido but Sexton taught with a more open fighting concept than most traditional Hapkido schools.
It was in the early 1980's that the school was on the verge of closure when Fariborz Azhakh, a young Red Belt training at J.B. Lee's International Hapkido Karate, decided he would keep the school open by purchasing it. Upon the acquisition of the school, he renamed it Fariborz Azhakh's Martial Arts Academy Hapkido Karate.
Over the years, the concept of the Martial Arts Academy continued to evolve and the name of the school changed with it. Altogether, the studio's name was changed four times and with each new name came a new logo design. The following is a chronology of each of these names and logos, and what they represented.
J.B. Lee's International Hapkido Karate Association
The school began under the direction of instructor Steve Sexton approximately thirty years ago. The original school was located on Vanowen street in Canoga Park and was under the ownership of both Sexton and a partner. It ran under the name of J.B. Lee's Hapkido Karate Association. The logo for the school was designed in a circular format with the head of an eagle as its centerpiece. The eagle is commonly used to represent the Korean martial art of Hapkido. On one side of the eagle was the American flag and on the other side of the eagle was
the Korean flag to represent the country in which Hapkido was founded.
Fariborz Azhakh's Martial Arts Academy Hapkido Karate
When Fariborz Azhakh took ownership of the school the basic style of the logo remained the same. However, Fariborz's name was placed above it to make it more personal, and "International Association" was removed and replaced with "Martial
Arts Academy." The word "academy" best represented a school where people could be trained in the martial arts and quite frankly, "academy" was also a term that was quite popular at the time. Retaining the "heart" of the original logo reflected Fariborz's reluctance and trepidation to let go of the past and move forward.
Hapkido Karate Canoga Park
A few years after Fariborz purchased the studio, the name and logo took a drastic change in both its style and format. When the school was moved to Vanowen Street in Canoga Park, the name was changed to Hapkido Karate Canoga
Park. Steve Gordon, a graphic designer and one of Fariborz's students, created a new look for the newly named school. The circular format was replaced with a
stylized rectangular shape. The Korean and American flags remained to honor both countries and much larger eagle with fully spread wings was placed in the middle. The more traditional eagle symbol for Hapkido is the bird shown with fully spread wings. The Korean symbols for Hapkido karate were also placed on top.
Team Karate Centers
When the school was moved again to a small section of a warehouse on Victory Blvd. it was named Team Karate Centers. As the fourth logo in the school's history, Fariborz felt that this one best represented the "new" philosophy of the school and a change in its format and curriculum.
The logo contained the new name -- Team Karate Centers -- and Fariborz's name was removed. This captured Fariborz's feeling that the school should be founded on a committed team effort and not associated with a single individual. It was a commitment of a team working together.
The new Team Karate Centers logo concentrated on three boxes each with a martial arts practitioner inside corresponding to individual members of a family. It is also important to note that each of these figures is shown kicking outside the confines of the box. This depiction was also chosen to represent students not limiting themselves to the four walls of the structure but striving to get outside the box. The "Box Challenge" outlined on page 38 further illustrates
this idea.
Martial Arts America
As Team Karate Centers was transitioning out of its infant stage, a new martial arts school organization was being formed. "Martial Arts America" headed by Andrew Wood, had its goal of combining a large number of schools into a single organization. Each would have the same logo and be run under the same bylaws and
be able to share services such as pamphlets, t-shirts, patches and textbooks thereby decreasing school expenses. The logo was red, white and blue and focused on a family practicing the art. Unfortunately, the organization did not meet its goals and was dissolved less than one year later.
Team Karate Centers
After "Martial Arts America," Fariborz returned to the name and logo that he felt best portrayed the teaching methods and philosophy of the school – Team Karate Centers or TKC.



From the time of ancient warriors until the twentieth century, colored belts did not exist. A belt, which was usually white, was used to keep the uniform together. As time passed and the belt was used over and over again, the belt became dirty and worn and eventually turned to dark gray or black.
The exact time when colored belts to reflect rank were introduced to the martial arts is not known, but today it has been adopted by nearly every karate system.
Some schools will only have four belt levels such as white, green, brown and black while others will have additional colors such as yellow, purple or blue.
Each belt denotes different levels of accomplishment and mastery of specific skills and knowledge. As each student progresses in their training, they will enjoy the outward symbolism of their achievement.
The Korean art of Hapkido is the foundation art of Team Karate Centers. However, over the years the martial arts has changed and for some, the concept of a single style has evolved to include alternative fighting methods. The instructional staff at Team Karate Centers teaches Hapkido "blend." "Blend" is defined as a multi-cultural martial art that is based on usefulness. In other words; "use what works" in a given situation.
Although traditional Hapkido is still taught at various schools throughout the world, Fariborz feels that the traditional approach does not work today. He expresses that teaching methods have changed, people have changed and therefore learning has changed.
Team Karate Centers focuses on a four-range system which includes kicking, punching, trapping and grappling.
The late Bruce Lee developed the Jeet Kune Do concept by selecting the best fighting techniques from each style. Fariborz follows a philosophy similar to this concept but incorporates a foundation through Hapkido.

